The Transfiguration


Drama / Horror

Rotten Tomatoes Critics - Certified Fresh 85%
Rotten Tomatoes Audience - Upright 71%
IMDb Rating 5.9 10 1673


Uploaded By: FREEMAN
Downloaded 79,588 times
August 14, 2017 at 06:22 AM



Larry Fessenden as Drunk Man
James Lorinz as Detective
720p 1080p
710.43 MB
23.976 fps
1hr 37 min
P/S 3 / 51
1.48 GB
23.976 fps
1hr 37 min
P/S 4 / 41

Movie Reviews

Reviewed by JvH48 5 / 10

This movie leaves the viewers as confused and lost as both main protagonists are with respect to the world around them. Keeps your interest nevertheless and is not boring

Seen at he IMAGINE film festival 2017 in Amsterdam. The story flows all the time and keeps your interest, but overall the dramatic developments are minimal, and the atmosphere embedding the two main topics, violence and social commentary, does not provide for anything new that we haven't seen already in many other movies.

The only novel element is that Milo is a vampire, this time not someone who has to avoid daylight, and he also does not sleep in a coffin. Milo lives a more or less normal life with his older brother, who has apparently nothing more to do than watching TV all day long. Milo marks days on a calendar that he has to go "hunting". We saw a handwritten book with rules of engagement, e.g. that the victim must come instead of chasing him, but that was only a small fragment of a heavy stack of paper. We also see him several times bite randomly chosen victims, after which he is always somewhat nauseas, seemingly inherent in the process. How he became a vampire, is left in the dark (no pun intended), and what we see of his brother does suggest that is not something that runs in the family.

We see less of Sophie, not even her house from the inside, when she e.g. lets Milo wait for her door when she has to pick up something, very different from her having access to Milo's house and even stays in his room for a few days. Not clear what it all means, if anything. Both walk outside the house like a couple, e.g. holding hands, but there is no sex involved as far as we see, despite of sleeping in the same bed and kissing each other frequently.

All in all, if it really was the intention of the film makers to leave us confused, just as confused as both main protagonists are with respect to the world around them, this movie is a success however without a silver lining. It does not make us any wiser through the added elements of social commentary nor does it about violence or NYC's atmosphere, being important topics as suggested by the movie's website but I missed all of it.

Reviewed by ladybug2535 7 / 10

Story is very clearly told

I don't know how anyone could have been confused by this film, as the story was very clearly told, including the tragedy that formed our young lead's fascination and compulsion for blood. In fact I found the script's ability to fully clarify the motivations and events without fully explaining them to be a cut above the vast majority of films that try (and often fail) to do the same. Mind you, I wasn't fully engrossed in the film, I was surfing the internet at the same time, and I still found the fullness of the tale easy to fill in. All of this is possible in no small part because of the excellent acting of the main characters, and the careful plotting as the tale unfolds. The details are extremely important in this film, but given the slow pace, you don't have to maintain constant attention to catch them.

This young man has grown up in a dangerous neighborhood in which violence is a fact of life. This is a neighborhood and a family that was and is always on the precipice of disaster. This is the kind of environment that when coupled with a pre-existing propensity, creates the kind of psychopaths we have nightmares about. Coupled with the temporary absence of an older brother (apparently away at war at the time) at the time of the sudden and messy suicide of their mother, the main character of the film who found her immediately after the act-- a young teen is essentially turned into a locked and loaded weapon.

It's also apparent that the disturbed young man is in court-ordered counseling ("You know you aren't allowed to cut our sessions short"), for killing and mutilating animals and his fascination for blood and violence is known--but what most of the viewers here seem to miss, is that this significant and formative experience is what formed his fascination for vampires and compulsion to drink blood and not the other way around. Even without this knowledge being spoonfed to the audience, it is clear that he is "different"-- perhaps always different (perhaps even on the autistic spectrum) and his difference is recognized by others ("Freak!") given his inability to connect with others, and his lack of emotional reaction to even the roughest abuse (what is called a flat "affect")--but what no one knows is that his fantasies are not solely inside his imagination.

His big brother--now his sole source of support, is in turn being crushed by his own problems; the effect of their mother's suicide (their mother's bedroom is closed off and unoccupied, even as he sleeps on the couch because his little brother occupies the only other bedroom), depression, fatalism, his brother's severe issues and apparently PTSD; he isn't a psychopath, but death isn't a stranger-- and he knows he isn't able to do anything for his psychopathic little brother, except accept him as he is "no matter what happens, what he has to do to survive".....He is saddened that he can't protect his little brother; not from his violent "freinds" who threaten the neighborhood (though he no longer hangs with the gang himself), and he cannot even protect his little brother from himself--clearly he has accepted that his little brother is going to come to a bad end--but he does what he ca; given as little as that might be under the weight of his world, he still obviously loves his little brother.

This is quite a different vampire film in that the protagonist is not actually a vampire. His thirst for blood is quite real, but his compulsion to kill may be more of convenience given he seems to gain no satisfaction from the act, and in fact demonstrates a modicum of remorse--moreover, his remorse directly leads to his final acts of-- if not "redemption" in the traditional sense, in a way that at least gives his life some sort of meaning (which I won't give away) in the limited world he inhabits.

It's the blood that calls him--not the act of obtaining it-- which his physical being in fact rejects (and dare I say, his rudimentary conscience as well, that glimmer of humanity he in fact does possess behind his blank uncaring mask?); but like many serial killers, even at his young age he is trapped within the ritual he has created in an effort to control his impulses. He knows he is bound, though we don't know if he is bound by rules only his imagination has conjured, but like the best of stories, he sticks to the rules he has bound himself too--both good and bad.

This is truly a unique take on the vampire story, with very detailed and nuanced characters.

Reviewed by Thomas ([email protected]) 6 / 10

Okay addition to the vampire movie genre

"The Transfiguration" is an American 95-minute movie from 2016 and the first full feature film by writer and director Michael O'Shea. The cast does not really include any well-known actors. Actually you could argue if the title of my review is correct as vampirism is a crucial component from start to finish and many known vampire films are referenced from start to finish including the excellent Twilight, Let the Right One In etc. in here, but there are no vampires in the supernatural sense. Actually, the vampire-addicted protagonist felt more of a zombie at times because I kinda felt that he was basically sleepwalking his film through the film, but that's not a negative deal-breaker either as the film still works for the most part. Yes it is somewhat bleak and extremely slow and you probably could have fit it in an hour too, but the atmospheric take and character study of two young people struggling makes more than up for it. That's also why I am a bit surprised about the ending O'Shea picked as honestly it did not feel too authentic to me with the desired suicide explanation and it also really went strongly against everything before that when it comes to the tone of the film. Yes it does include a bit of a real life reference that pulls the boy harshly out of his vampire reality and there the boy's intentions hurt the film at all. A bit of a pity. I am not angry because the central character was killed as I honestly cared very little about him anyway, I am instead angry, well a bit, that they did not go for simpler, more harmonic closure, maybe a moment of harmony and peace or even for the boy living his fantasy with killing and drinking a girl. Almost everything could have been better than what they actually went with. Oh well. It is what it is. Thanks to several good moments and a decent story overall, I still give the film a thumbs-up. Go see it if you like vampire-themed films. There really aren't that many anymore these days.

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