The Shepherd of the Hills

1941

Adventure / Drama / Romance / Western

7
Rotten Tomatoes Audience - Spilled 58%
IMDb Rating 7.1 10 1460

Synopsis


Uploaded By: FREEMAN
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September 17, 2017 at 02:09 AM

Director

Cast

John Wayne as Young Matt Matthews
Ward Bond as Wash Gibbs
Henry Brandon as Bald Knobber
Marjorie Main as Granny Becky
720p 1080p
687.12 MB
1280*720
English
NR
23.976 fps
1hr 38 min
P/S 2 / 8
1.46 GB
1920*1080
English
NR
23.976 fps
1hr 38 min
P/S 10 / 19

Movie Reviews

Reviewed by telegonus 8 / 10

The Gorgeous Technicolor Ozarks

The Henry Hathaway-directed 1941 Shepherd Of the Hills is worth seeing if for nothing else its color, which is as glorious and gorgeous as one will find in a film. Each outdoor shot is like a landscape painting. Along with Gone With the Wind and The Four Feathers, this is the finest use of color I have seen in a movie, and it should be used as a textbook on how to shoot a film in color. Otherwise, the picture is just a pleasing and old-fashioned revenge tale, adapted from a now forgotten novel, and set in the Ozark Mountains at about the turn of the twentieth century. It is nicely written in the idiom of the mountain folk, and features John Wayne in an early, rare non-western role, which he handles proficiently. Betty Field is his spunky love interest in what would now be an Amy Madigan part. Miss Field is lovely in a non-conventional way; she shines as never before or since. The combination of her quiet, almost mousy beauty in an otherwise talky, assertive role is fascinating to watch. Also on hand are Beulah Bondi, Ward Bond, Marc Lawrence, who gives an amazing performance, and Harry Carey, whose pleasantness and plainness I find tiring, though I suppose he's well-cast. There's a ritualistic feeling to the film, with its clearly defined notions of good and evil, the almost formally informal dialect the characters use, the leisurely, strolling pace by which the story unfolds, all contribute to its pastoral quality. The chief problem is that there's no suspense. One senses early on how the thing is going to end, and the characters behave as one would expect.

Reviewed by countryway_48864 9 / 10

A film of great beauty and great, understated acting!

A marvelous, if little known, early John Wayne film. There are so many wonderful moments in this film that I can only list a few: Harry Carey splendid as the mysterious man who comes to the Ozarks to purchase a piece of dirt land and settle down, and ends up purchasing Moanin' Meadow. A gorgeous, seamless, seemingly effortless piece of acting.

Betty Field, always in bare feet saying that she nearly stepped in a cloud and reveling in the mud between her bare toes.

Marc Lawrence trying to catch dust motes in a sunbeam coming through a dirty windowpane.

Beulah Bondi making a circle of candles and lamp oil!!

Marjorie Main seeing for the first time in her life.

And John Wayne moving from bewildered and embittered young man with a curse on him, to a man in love who can't express his feeling because of the curse, and finally coming to terms with his real, inner self for the first time in his life.

Anyone who thinks John Wayne could not act, should see The Shepherd of the Hills. He is not only beautiful to look at, but he brings charm, power and sympathy to a very difficult role.

Reviewed by telegonus 8 / 10

Fine character study

The Henry Hathaway-directed 1941 Shepherd Of the Hills is worth seeing if for nothing else its color, which is as glorious and gorgeous as one will find in a film. Each outdoor shot is like a landscape painting. Along with Gone With the Wind and The Four Feathers, this is the finest use of color I have seen in a movie, and it should be used as a textbook on how to shoot a film in color. Otherwise, the picture is just a pleasing and old-fashioned revenge tale, adapted from a now forgotten novel, and set in the Ozark Mountains at about the turn of the twentieth century. It is nicely written in the idiom of the mountain folk, and features John Wayne in an early, rare non-western role, which he handles proficiently. Betty Field is his spunky love interest in what would now be an Amy Madigan part. Miss Field is lovely in a non-conventional way; she shines as never before or since. The combination of her quiet, almost mousy beauty in an otherwise talky, assertive role is fascinating to watch. Also on hand are Beulah Bondi, Ward Bond, Marc Lawrence, who gives an amazing performance, and Harry Carey, whose pleasantness and plainness I find tiring, though I suppose he's well-cast. There's a ritualistic feeling to the film, with its clearly defined notions of good and evil, the almost formally informal dialect the characters use, the leisurely, strolling pace by which the story unfolds, all contribute to its pastoral quality. The chief problem is that there's no suspense. One senses early on how the thing is going to end, and the characters behave as one would expect.

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